April
March 25, 2005
This should be one of my final entries for
about a week. I'm sitting at Koo's. Last night they
had a punk show and they had to take down all my photos
in fear that they might not make it through the night
of loud music and head banging. I came in this morning
and put them all back up. I still have Annie's level,
thankfully, and everything looks alright again.
So I've decided to bring
the Rollei. I bought some 120 film today and a table
tripod with collapsable legs. I'm going to leave the
85mm Serenar, as I don't really see myself using a telephoto
too much. I think between the 85mm and 21mm, the 21mm
will get more use.
Hoping that I'll get some
good snaps in NY.
March 24, 2005
I'm going to NY for the first time next week.
This past week has been about getting ready. I spoke
to an old professor of mine from UCLA with whom we're
staying with. She said it was snowing the other day.
Ugh. Laura and I went to REI and I picked up a water-proof
jacket.
A few days ago, I was searching
around for a good photo backpack. I have several shoulder
bags, but I envisioned all the walking we would be doing
and knew that I needed something that would distribute
the weight better. I did some research and found that
the LowePro Trim seemed perfect. It could be accessed
from the top, it was relatively compact and it didn't
look too much like a cheesy photo backpack. Unfortunately,
it's no longer in production. I thought about eBay,
but there was no way it would get to me in time. Through
some stroke of luck, they had one at Terry's. It costs
about $100 but it seemed too good a stroke of luck to
pass up.
What I'm planning to bring:
M2, M4-p with the following
lenses - 50mm Hexanon, 35mm VC Classic, 21mm Avenon,
85mm Serenar
Canonet QL-17 with it's
fixed 40mm 1.7 lens
30 rolls of bulk rolled
HP5
4 rolls of TMAX 3200
8 rolls of Fuji Press 400
I'm still debating about
bringing my Rollei. I want to bring it, but I'm afraid
it would kill my back walking around with it. I think
I also may pick up a roll of slide film if the weather
clears up out there.
March 21, 2005
Shot by Annie
when she was helping me set up for my show.

March 21, 2005
Just got my roll of slide film back. I've never
shot slide before and am supremely impressed by its
colors! I've heard people go on and on about how great
slide film is but never shot it myself until yesterday.
Now I can see what all the fuss is about. Here's from
my first roll of slide, Provia 400.





March 21, 2005
Busy weekend of shooting. I photographed a
NOW event on Saturday and today I photographed at Santa
Monica. I shot my first roll of slide film, so we'll
see how that goes. Tired. Busy day of developing tommorrow.
March 19, 2005
I'm sitting at Koo's
as I write this. So far only one person has come in
today to see the exhibit. I made a sign and taped it
outside to draw some foot traffic in. I think the venue
tends to intimidate because the most visible events
that take place here are punk shows. I sat at the gallery
yesterday and I had a few people come in who were interested
in the work.
I figure that it is my
space for the month and I have spent over $1,000 to
prepare the show and over 200 hours printing and developing
film that I'm going to take advantage of the space.
Volunteers are usually signed up to sit in the gallery
but no one's really signed up this month which is sort
of upsetting. I didn't go through all the work and spend
all the money for my own self-gratification. I want
the work to be seen.
Anyway, atleast there is
a wireless connection in the space so I can pass the
time. Here are some pics I shot this week and another
pic from Thomas
McConville with me in it. Nice to actually see myself
in a pic or two :)






March 16, 2005
I'm in better spirits. It's just odd not having
a big show to work towards. I feel momentarily without
purpose. I went to Portfolio's tonight and they were
having their open mic. I took a few snaps. I haven't
shot there in a while so it was nice to take some pictures
in a familiar setting. The lighting in there is always
hit or miss. Sometimes the spots are right on the performers,
other times, like tonight, they're not positioned very
well so it's hard to get a good shot.
I'm going to shoot a small
event at OPEN tommorrow. Some music and a film. Have
to remember to pack some color film so I can put some
in the Gazette
Here are some random pics.
One is a self-portrait. I got off the bus and found
a wall of mirrors in front of a second hand store. The
other is a cute little scene that unfolded at a coffee
shop a few weeks ago.
.

March 14, 2005
I just came back from an EVA meeting. It is
the first meeting of the new board and although it was
run with a bit more tact and ease, my stomach sank again
at the talk of the planned development. It seems as
if I'm watching a train wreck in slow motion. Property
values will rise, chains will move in,small stores will
be forced out. Progress.
What is an Arts District
with no artists? All the artists that are called to
contribute their creative energy to raise the cultural
capital of the area can't even afford to live in the
so-called Arts Distrcit. It seems like the same story
everywhere. No one will take a stand and say no to the
money. My fear is that everything that I have documented
will be replaced with yuppie consumerism. This is what
the city calls progress.
I feel a bit naive I guess.
I thought my show and my work might bring about some
change but now I know taking pictures isn't enough.
Just hearing them talk at the meeting, at how easily
accepted everything as if it were some unchangeable
force with frustrating.
March 13, 2005
I survived!
The show, I think, was
a success. There was good traffic all night long. I
spent three days before the show installing the photos.
Annie
helped me hang the photos, which I had no clue how to
do. This was my first solo show and the venue more or
less painted the walls and gave me a key to the space.
I think I had a knot in
my stomach for the first half of the evening. I really
began to doubt my work. Would people like the photos?
Would they understand them? Would they just walk by
casually thru the exhibit and not stop to really pay
attention?
I tried to speak to as
many people as I could. Asking them what they thought.
Perhaps the best compliments I got were to the effect
that they could tell that I cared about the community
and that there was a lot of emotion in the photos.
I had a guest book out
for people to sign in and one of the best comments was
"please save the village from conformity and neon."
It just about broke my heart to see that.
I also found it fun to
see people staring at my contact sheets that covered
a whole wall in the back of the space. The layout of
the show was pretty deliberate. As people entered they
were first confronted with a short wall of about 7 portraits
of different business owners and artists. On their left
was a longer wall which contained photos from different
events in the Village. As they worked their way down
and past a curtain, a large wall of contact sheets was
revealed. I got a kick of watching people's faces light
up as they followed the photos down to the contact sheets.
Well. I developed some
film, but none from the show. I ran out of my standar
developer but luckily I had a small bottle of Kodak
HC-110 that I leave for emergencies. Here are some snaps.
I know I haven't posted in a while.
The boy with the balloon
was taken literally minutes before I opened the show.
We were running late because of the bus and saw the
little scene and was able to snap three quick shots.
The shot of me setting up was taken by Annie a few days
ago when we were hanging the work. The last photo was
taken by a local photographer Thomas
McConville during the show.



March 9 , 2005
3 more days until the show. I won't be able
to install tommorrow, so I'm cutting it a little close.
My business cards are suppose to be done on Friday.
I'm still working on captions, creating a guest book
and I'm planning to have a sign made today.
Whenever I think about
the show I'm starting to get a slight twinge in my gut.
Not quite sure if it's excitement or absolute fear.
I was talking to Annie about it a few days ago, this
feeling of vulnerbility whenever you have an exhibition.
You can't help but feel people will be making personal
judgements about you when looking at your work. I suppose
it's inevitable.
Laura and I have booked
tickets and a hostel in NY. I guess I'm suppose to be
excited about that as well, but it's not even on my
radar until this show is over.
I did my final batch of
prints last night and will place in mats whatever loose
images I'm going to use.
March 4 , 2005
Holy cow...haven't updated in awhile. So the
show is in less than a week. I have 25 images printed
and matted. The matts have been a nightmare. I ordered
40 matts and foamcore backings from a place in Glendale.
When they arrived none of the matts matched up with
the backs. The backs were sloppily cut. Not only that,
but half the matts were a different color! Christ. They
recut the entire job. The new ones were slightly better,
but I still basically had to trip down the foamcore
to match the matts. 6 of the 40 they gave me were damaged
in some way.
I've printed about 600
flyers and have put them in various stores throughout
the city. I've posted info about the show on photo.net,
craigslist and whatever other random sites I can find.
I've redesigned my business card and ordered 1000 made.
I still have to write captions
for the photos and mount them to foamcore to place beneath
the photos. I'm also trying to come up with explanatory
text to mount on the wall as people come in.
February 15, 2005
Not too many entries this month (see reason
below). I've been busy printing like crazy. I've already
gone through about $300 worth of paper and chemistry.
I just ordered 40 16x20 8ply archival matts cut to my
specifications to the tune of $400. This is not counting
the 90 rolls of film that I have shot since I first
got offered the show. Nor is it counting the 6 hour
nights in the darkroom for the last two weeks. I've
decided to take a break tonight. Went to the museum
with Laura, got some dinner at the local Thai restaurant
and read a few chapters from this book I got on the
photo agency Magnum.
I shot a portrait of a
friend and restaurant yesterday that I printed last
night that I'm pleased with. I took probably the equivalent
of 2 rolls of film to take the photo. It's the third
to the last photo that I chose. I think my meter is
acting funny because the neg seemed a little under so
it took quite a bit of printing to bring the print up
to snuff. I think I spent almost 2 hours and half a
box of paper on that one image.
In other words, I'm tired.
I'm hoping this show will lead to something. ANYTHING.
I feel like I've found something that I would like to
pursue but need some way to make it profitable. It doesn't
help that with digital everyone and their mother is
now a photographer. It isn't so much that more people
are taking photos that is irksome, as it is that I think
the value of a photograph is going down. A photo is
disposable. A photo is only alotted a few seconds of
casual perusal. The act of photography seems to be reduced
to the acquiring of expensive equipment. I love that
more people are drawn to photography because of the
ease of digital, but I think it's this seeming facility
of the image that will be the ruin of photography's
value.
February 18, 2005
What I'm working on:

February 14, 2005
Some snaps from this weekend:




February 14, 2005
My back hurts from this weekend. On Saturday,
the last Art Walk before my show in March, I shot about
14 rolls of film. I carried around 2 Leicas, the Nikon
and my camera bag for about 6 hours. My lower back is
killing me. I developed half the rolls of film tonight
and plan to develop the rest tommorrow.
I'll be busy the next few
weeks printing like mad for my show. Ack. I can barely
stand to think of it. I feel a bit rushed but I think
it's still possible to print about 30 more prints in
2 weeks.
Below is a shot from Friday.
I was walking on 2nd Street and noticed a store was
closing down. I convinced the woman there to let me
take a quick shot. I saw the naked mannequins and the
clothes in the mirror and found the shot I wanted.

February 10, 2005
I've been busy printing. I haven't printed
in quite some time so I'm still trying to get in the
flow again. I've made four photos so far for the show.
Ugh. Only
February 8, 2005
I shot some local artists installing their
work for the upcoming Smithsonian Week today...here
are some snaps:






February 7, 2005
I finally got my darkroom set up!!!!!
It's been a pain to get
together. First, one of the retaining screws that holds
down the column of the enlarger came loose because the
wood had rotted out. We had to glue down the wood and
hammer in a metal doohickey with new threads. Then,
once we got the column mounted the carriage that goes
up and down and holds the light source was not gearing
correctly with the column. That took some tinkering.
THEN, the head wouldn't go down past a certain level
because the carriage was getting caught at the top.
That took about 30 minutes of untightening and tightening
screws.
After all that, the enlarger
was really misaligned. I had to shim my easel to level
it and do fine adjustments on the negative stage. Well,
it's finally all set up. I spent two hours last night
testing it out and working out a workflow. My enlarger
is in my studio and to get the paper to the trays I
have to walk through a small hallway. The wet side is
working well. The small bathroom I'm using has a built
in exhaust fan that seems to do a good job of sucking
out the fumes. I have to make contact sheets of everything
I've been shooting the last few months which is no small
task, probably about 100 rolls of film. Ack!...My goal
for this week is to make contacts of everything I may
print for the show in March and slowly whittle things
down...
February 5, 2005
Some snaps from the Belmont Shore Chocolate
Festival today...shot it on NPH...love the colors..a
lot less garish than regular Fuji Superia..also tested
out my flash for fill...dialing down the flash to -1.7.
came out pretty good i think...




February 3, 2005
Testing out the Nikon. I borrowed my dad's
28mm 3.5 nikkor and shot a quick roll of 24. This was
shot at the Long Beach Museum of Art in their outdoor
patio.

February 2, 2005
This was at the House of Hayden this past weekend....I'm
surprised that anything was recorded on the film at
all it was so dark. Testing out Tmax 3200, or what use
to be dubbed "magic" film by old photojournalist
because it could be used in extreme low light situations...

January
2005
December
2004
November
2004
October
2004
September
2004
August
2004
July 2004
|